ReFocus

Basic Information

Contents: Introduction: Kim Ki-young, The First Global South Korean Auteur - Chung-kang Kim = 1 Part 1: Beyond the Border: Transnational/Hybridity/Border-Crossing 1. Kim Ki-young at the Intersection of Cold War Alliance, Reconstruction, and the Artistic Impulse - Han Sang Kim = 17 2. ‘We Shall All Need That Basket/A-Frame Carrier’ A Comparative Analysis of Goryeojang (1963) and Ballad of Narayama (1958/1983) - Kyu Hyun Kim = 34 3. Love Thy Enemy: Kim Ki-young’s exploration of Korean-Japanese romance in The Sea Knows (1961) - Russell Edwards = 51 Part 2: Beyond the Norm: Psychology, Biopolitics, and Sexuality 4. Refiguring The Housemaid (1960)’s Singularity: from Dualism to Triadism Based on the Lacanian Perspective - Sohyoun Kim = 73 5. Men, Women, and the Electric Household: Kim Ki-young’s Housemaid Films - Steve Choe = 91 6. To Speak and To Be Spoken For: Deafness, Stuttering and the Women in the Films of Kim Ki-young - Ariel Schudson = 107 Part 3: Becoming an (Global) Auteur 7. The Intersection of Authorship and Film Regulation During the Period of Military Rule: An Analysis of Kim Ki-young’s National Policy Films, Soil (1978) and Water Lady (1979) - Molly Kim = 129 8. Rediscovering Kim Ki-young: The Rise of the South Korean Auteur on the Film Festival Circuit - Jason Bechevaise = 146 Appendix = 162

Loading...